- November–December 2005
'PAPER FLOWERS' is a tight two-hander, written in 1969 (the year the Communist leader Allende, came to power) by one of Chile’s greatest living playwrights explores the gulf between ‘Los Rotos’ (the broken ones) and the repetitive life of the affluent middle classes. The play is constructed with exceptional skill and is a sophisticated fusion of magical realism, absurdism and black comedy. I’m looking for two committed and open minded actors who wish to challenge themselves and enjoy exploring these two complicated and intriguing characters. Together we will make creative use the rehearsal process to produce a piece of theatre which does justice to the play’s unique and exciting explosion of longing, power games, silence, humour and desperation.
ROLES:
EVA: A lonely middle class widow who paints flowers alone in the botanical gardens. She tries with all her might to reach out and offer her love to Beto, a man whom she finds both socially and sexually threatening and compelling. When we first meet her, her life is ordered, repetitive and empty:
“That’s what my life is, eating and more eating, morning noon and night. I sometimes think that life is nothing more than a permanent meal, with pauses in between to get bored again”
BETO: An enigmatic figure from the slums by the river; dressed in rags, prone to severe fits of shaking and a disarming ability to evade questions about his past. He is a forceful presence, often fluctuating between monotonous utterances, brutality, childlike pathos and intensely poetic speeches:
“Love is broken bridge, with a broken tooth, with a broken crank. It flies within the world’s four walls, cracking skulls. Love is a three legged dog! A tramp with one hand and two bananas!”
The action is set in Eva’s ordered and neat living room, beginning as she enters with Beto carrying her shopping. What unfolds spans a tense few days in the house where we see Beto gradually colonise Eva’s world and impose disorder and havoc: rearranging, reconstructing and destroying the furniture and gradually filling the room with his dark, enormous, ragged paper flowers.
- November 2005
A provincial town, a dreaded inspection, mistaken identity; a provocative farce. Nikolai Gogol's timeless comic masterpiece brought to you by BATS' brand new talent.
- November 2005
-"I am a heterosexual"
-"I wish you wouldn't use these Chaucerian words."
A London psychiatric clinic becomes a world of carnivalesque chaos when rampant libidos, mistaken identities, undressing and cross-dressing create layer upon layer of mischievous confusion in Orton's farcical masterpiece. The less than reputable Dr. Prentice makes his advances on a would-be secretary and sets in motion events that blur boundaries of gender, decency, and sanity.
'an icon of modern drama' - The Guardian
'A truly classic sex farce that keeps up an almost relentless stream of great gags.' -Sunday Express
'A breakneck comedy of near operatic complexity' - Metro
- November 2005
There's nothing quite like onion in The morning to bring back a grin Oh Gardi's, we love you so...
It's a normal night outside of Gardi's, but all the usual suspects have started singing... BATS presents the stage-show of a Cambridge legend! This is an eclectic student-written musical, based around the almost-closure of the famous eatery last year, and presenting the audience with a slightly bizarre snapshot of student life – deadly smokers, earnest Christians, assassins and all. Expect mad capers, high jinx, and a bloody laugh and a half...
- November 2005
A hilarious and heady comedy of confusion and crossed wires. This fourhander set in the 1960s is the play that made Ayckbourn his name in the theatre.
- August 2005
- June 2005
To reserve tickets email csf24@cam.ac.uk with your name, number of tickets, and contact tel. no
- May 2005
Mr Blake kidnaps a family for his annual birthday and tries to swap places with the father. The daughters are angry; the mother doesn't seem to care; and we can't tell what the father thinks because he's bound, gagged and imprisoned somewhere. He’s probably quite annoyed though.
Familiar familial homilies are literally unwrapped and set on fire before your thighs in this new Tragi-comedy; which we prefer to call 'Comedy', taking the 'Com' from 'Comedy' and the '-edy' from 'Tragedy'. Edgy, dark and innovative, this runner-up to the Footlights' Harry Porter Prize was judged by Bill Oddie to be 'err...'. Find out if you agree.
For more information visit www.ourdarkerpurpose.com
- March 2005
Rosie, an ageing whore, and James, her life-companion cum pimp, set out in search of their ideal selves in a fairytale forest. Rosie and James encounter Edmund and Anastasia; chaste, virtuous, poetic, beautiful and optimistic- gender perfected. In a dysoptian midsummer night's dream forest chase, the characters shamelessly stalk love and identity, violently bouncing between the worlds of metaphor and reality. Extreme doses of life's aspiration mixed with vulgar images of sex and death leave Rosie and James' questions unanswered, giving them only the ultimate hangover from wasted optimism.
- March 2005
- March 2005
- February 2005
INTRODUCING THE THEATRE OF TOM MURPHY: a round-table discussion with live
scenes from the theatre of an Irish outsider.
Introducing a mini-season of Tom Murphy’s plays in Cambridge, we would like
to invite you to a round-table discussion of his work on Monday the 28th of
February, at 5 pm in the English Faculty Drama Studio (Sidgwick Site). The
round-table will provide a general introduction to his work and place in
contemporary Irish theatre, with more detailed presentations and
discussions of live scenes from The Morning After Optimism (2-6th March,
10.30pm, Fitzpatrick Hall) and Bailegangaire (8-12th March, 10.30pm,
Pembroke New Cellars).
The speakers will be Dr Deana Rankin, Yvonne McDevitt, Liliane Campos and
Saraid Dodd. The discussion will be informal and all are welcome to take
part: no prior knowledge of Murphy is necessary!
‘On the Outside…’ Dr Deana Rankin, Fellow of Girton College, will introduce
Murphy and his position as an outsider in Irish theatre.
‘The Impact of EXILES (1912) by James Joyce on Tom Murphy’ Yvonne McDevitt,
director and Judith E. Wilson Fellow, will take a look at Joyce’s influence
on Murphy’s work.
‘A Theatre of Voices: voice acts and speech acts in Murphy’s Bailegangaire’
Liliane Campos, director of Bailegangaire, will analyse the tension between
voice and language in Murphy’s work. A short scene from Bailegangaire will
be performed for discussion.
‘The Morning After Optimism: should we show it to children?’ Saraid Dodd,
director of The Morning After Optimism, will give a director’s view on the
play. A short scene from The Morning After Optimism will be performed for
discussion.
- February 2005
Warmest greetings are extended by Lawrence and Beverly Moss to their cul-de-sac neighbours. Five intensely dysfunctional adults will perform, for your viewing pleasure, a carnival of loveless sexual frustration; masks are to be worn. The evening will entail party games, canapés, and certain voyeurism. Body bags will be provided. This is the event, this is the middle-class – welcome to suburbia.
- February 2005
'Apocalypse: The Musical' is set to be the most funky musical in Cambridge next term- God and Satan decide it's Apocalypse time, and elect a milkman and a whore to recruit for their cosmic armies in the war to decide the fate of the universe. Who will succeed? Will Satan manage to sabotage the milkman's efforts with a band of gospel-singing nuns, or will the chorus cows deliver him from their misguided attempts to lock him up in their convent? And what if the milkman and the whore were to... meet?
- February 2005
How far would you go for the person you love? How much would you change? 'The Shape of Things' is a provocative, acerbic play which exposes how superficial the relationship between a man and a woman can . The play deals with four university students trying to seek acceptance. It is a savage indictment of the modern 'makeover' culture, showing how far people force others to conform to perceptions of beauty with a blurred view of 'art' and 'reality'. Writer Neil LaBute has been described by the New Yorker as 'the best new playwright to emerge in the past decade...'.
- November 2004
The Queens' Fresher's Pantomime Returns! Written by and starring the
gloriously talented and beautifully supple new freshers, the Pantomime has
been around almost long enough to be classed as a tradition. Following on
from the unconventional 'The Nativity' and 'The Man in the Iron Mask', this
year's (currently under construction) will contain laughs, songs, innuendo
and no small amount of thumb-nosing at prominent Queens' figures. Support
your friends, boo the baddie, hide as the dames try and flirt with you -
all of this and more is in store.
- November 2004
- November 2004
From a fractured childhood in the chateaus of the French countryside, to an
old age trapped in the final, brilliant flash of Parisian society, before
war extinguishes its lights. Marcel has spent his life watching. Now is the
time for telling. Telling a tale of glamour and corruption, decadence and
depravity.
It has been a one-hundred year journey from Proust's astonishing memoir,
which blew off the doors of the salons of the privileged, to Harold Pinter
and Di Trevis' final script, which challenged theatregoers around the
world. In the first production since its groundbreaking run at the National
Theatre, BATS production takes the story onwards, marking a new chapter in
cutting edge Cambridge theatre. A night to remember.
- November 2004
How can peace be found in war? How can sanity be found in madness? BATS
present the stage premiere of 'Shooting the Chandelier' written by David
Mercer, named 'foremost political writer of his generation’ by The Theatre
Review. This exciting multimedia production showcases the best new talent
of Cambridge. Set in a ruined mansion from which the ongoing Second World
War is strangely absent, images of memory and a vanished world are used as
the backdrop to an intimate study of jealousy and pain. Conceived as a
television drama, this is a stage transfer not to be missed.
- November 2004
Jessie’s epilepsy prevents her from holding a satisfying job, her marriage
has ended, and her son is a petty thief who isn’t speaking to her. She
lives with her mother, Thelma, in a small house in the American backwoods.
Jessie decides to do something about her unhappy existence and announces
that at the end of the evening, after painting Thelma’s nails, she will
kill herself. What follows is as inevitable as it is heartbreaking, as
Thelma’s increasingly desperate attempts to save her daughter’s life
illuminate their life together. This electrifying, Pulitzer Prize-winning
play is a paragon of twentieth-century tragedy.
- November 2004
After a long and violent conflict, the Spanish and Portuguese are at peace.
As the ghost of the murdered Don Andrea looks on, his killer makes a move
on his wife. When the dead man's friend Horatio becomes involved he is
killed in a brutal attack. Horatio's father - driven to lunacy - vows
vengeance at any cost.
- November 2004
'Look Back in Anger' saw the birth of the prototype 'Angry Young Man' and
sparked a new wave in British theatre. John Osborne's 1950's classic is
explosive, witty and downright angry. The play is not only an exploration
of one man's impassioned demand for humanity but is also a taught domestic
drama in which the dynamics of a troubled relationship are further
complicated by the arrival of a good looking and feisty outsider. This
exciting production will be performed in week five at the corpus playroom.
- June 2004
- March 2004
- March 2004
- November 2003
- February–March 2003
Chekhov's magnificent, elegiac and profoundly funny drama, The Three Sisters, is his greatest work and one of the triumphs of twentieth century theatre. A comically subversive look at the disintegration of the Russian monied classes, it reflects life by oscillating violently between tragedy and comedy.
Olga, Masha and Irina watch time pass them by, dreaming of a return to their beloved Moscow. No-one has understood with such sensitivity, and penetration as Chekhov what it is to be human. Do not expect anything heavy or turgid - this play was written and will be performed with a great lightness of touch.
- February 2003
- November 2001
