- January 2004
- January 2004
"The tale of the impossible. A house with its own soul. Energy twisted in on itself. The refined last stages of obsessive madness". Don't miss a rare chance to witness Steven Berkoff's bold adaptation of Poe's story of gothic horror and the hotly-anticipated debut of Cambridge's newest theatre company, Back to Back Productions. Drawing on the theatre of the avant-garde, with its use of mime, movement and abstract music, the audience is presented with a horror that is at times literally unspeakable. They will find themselves drawn helplessly into a vortex of incest and murder - not for the faint-hearted.
- December 2003
Joe is ten years old, severely disabled, wheelchair bound and completely dependent on her parents. She will have no life. So why is she allowed to live? Bri and Sheila have to live with the moral dilemma that nobody should have to face. Bri clowns his way through life. Sheila clings to the hope that one day, somehow, all will be right again. Throw in the questionable support of their friends and family, and the group soon begins to realise they are all experiencing a day in the death of Joe Egg. Peter Nichols' darkly comic masterpiece balances somewhere on the verge between tragedy and hilarity. 'A Day in the Death of Joe Egg' demands answers to questions that cannot be ignored, and will leave you wondering whether to laugh or cry. Presented in one of Cambridge's most unique and exciting venues.
- November 2003
Cross Purpose is a play about a shocking misunderstanding and its tragic consequences. When Jan returns home after a twenty year absence, his family don't recognise him. Desperate for happiness they will go to any lengths to find the money they need, and Jan starts to fall into a terrible trap.
- October–November 2003
Shakespeare meets Big Brother in this new piece of student writing. Deep inside the Big Brother house, one of the contestants, Julia, is getting too big for her boots. Will her housemates' conspiracy to get rid of her succeed in producing 'the unkindest cut of all'?
Adapting Shakespeare's Julius Caesar into a modern language to deal with "modern issues", this play combines elements of social satire with observation on the personal devastation produced by manipulation, spite and domestic politics to provide an exciting chance for some early Michaelmas drama.
- October–November 2003
'I'm not clever, I'm just pushy.'
(Marlene, Top Girls.)
- August 2003
We never forget. Hidden in our brains is every moment, every thought we ever had, locked away and helpless.
Now, using the very latest techniques from medical science and improvised comedy, the Uncertainty Division takes you on a voyage into the mysterious depths of the unconcious...
Every night, the ideas, memories and thoughts of one audience volunteer will become a complete story. It could be a thriller, it could be a romance - or it could be a full blown musical. Different every time - and entirely dependent on you.
In each show, we will explore the very stuff our thoughts are made of. One person will see their thoughts as never before. For everyone it will a revelation.
www.uncertaintydivision.org
- April–May 2003
- February 2003
What if four children had been locked away in darkness and complete isolatiosince birth? What if, tonight, they were to be released? How would bodies and minds reared in darkness respond to the first words, thfirst lies, the first kisses?What if you got to watch? This disturbingly comic play strips away the mask of society to expose the conflict between nature and nurture in an uncensored and fantastically brash style for an hour of schizophrenic brilliance.
- February 2003
- November 2002
An award-winning television series, Talking Heads looks wryly at the everyday quirks of human life. Now the Amateur Dramatic Club brings three of the best of these monologues to the Corpus Christi Playroom. Bed Among the LentilsSusan is the wife of the vicar. And an alcoholic. Plagued by her husband's female 'fan club' and the pettiness of the church flower arrangers, she finds solace in the arms of an Indian grocer. Her Big ChanceLesley is an actress. A serious one. So when she has the opportunity to star in a film she grabs it with both hands. Oblivious to the true nature of her starring role, her insistence on her 'professionalism' is touchingly comic. A Chip in the SugarGraham lives with his elderly mother. Utterly dependent on their relationship he is bitterly jealous when she begins a friendship with another man, and their orderly, well-structured life is threatened. NB: These performances replace David Hare's The Blue Room as previously advertised.
- November 2002
Simple: an afternoon break on the usual bench (well it's the weather for it) and a good book. A stranger who forces eye contact. Questions that make you need to loosen your collar. Stories that make you forget where you are and how to get home. A set of pornographic playing cards, some empty photo frames, a dog and a trip to the Zoo. As the park empties and New York goes home, Peter falls under Jerry's hypnotic power. His is a world where televisions murmur empty messages from above to people lost in the lodging houses of New York. Jerry no longer knows how to pray.
- October 2002
- February 2002
In the basement room of a deserted house, two men wait impatiently for instructions on a job they must do. But their predicement takes a surprising turn as bizarre messages are sent from the supposedly abandoned floor above. One of Pinter's earliest plays, The Dumb Waiter is both a dark farce and a suspense thriller. Combining humour with tension, Pinter forces the audience into the role of detective in a drama where vital questions are left unanswered.
- February 2002
Alone. Alienated. Homeless. No family here, no friends, no jobs, nothing. Seeking asylum. Taking our money, our jobs, our housing. Filling the newspapers with their stories. Let them in? Throw them out? Halina has come to Britain to escape, to find a new life in our country. To many, she too is a just a statistic, a headline at best. But to the few who get to know her, Halina is anything but straightforward. Halina, an enigma, faces the ultimate dilemma: in an uncertain world, who can we trust? What is fact, what fiction?
- January 2000
