Roles
Technical Director
The Technical Director is responsible for co-ordinating all technical aspects of the production, up to and including running the get-in and get-out for the show. This will include liaising with the theatre to ensure that everything is being planned in accordance with the theatre's rules, and that all necessary paperwork and risk assessments are completed. It is conventional in the ADC for the lighting designer to take responsibility for lighting rather than the TD, but the TD still needs to coordinate with them to avoid conflict.
Initially, the Technical Director will need to work closely with all of the designers to ensure an accurate stage plan that meets everyone's requirements is available for all people to work from. They will also need to check with the Stage Manager and Deputy Stage Manager that nothing unexpected is happening in rehearsals. Any special effects or non-standard use of the stage area will need to be carefully thought through and risk assessed in conjunction with the Stage Managers, Director and relevant cast members. If necessary, a separate Special Effects Designer can be appointed.
The Technical Director should ensure that the set build and paint is happening in good time, a job which might be done by themselves, delegated to a Head Carpenter and/or Scenic Artist, or even done by the Set Designer. Arrangements for transporting the set and any other technical effects to the theatre ready for the get-in also need to be made.
A get-in schedule should be agreed with the various departments (lighting, set, sound) so that everyone knows when they will be able to work on stage during the get-in, and also with stage management (so that cast can be called for technical and dress rehearsals at the correct time). The Technical Director should co-ordinate the get-in itself, and ensure that the get-in does not fall behind schedule.
Finally, after the show has finished, the Technical Director is responsible for co-ordinating the get-out, ensuring that the theatre is returned to its original state and all of the company's property is removed.
Useful resources[edit]
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Technical Director Vacancies
*EXTENDED DEADLINE* Things I Know To Be True is looking for a PROD Team!
Michaelmas Week 4 ADC Main needs a prod team to bring this show to life! Looking for a Producer , Associate Director , Publicist , Technical Director and Set Designer
Contact fg460@cam.ac.uk or tg533@cam.ac.uk before 26th Jun 2026 23:59 for more details.
👾'Stuck in Orbit' is looking for a TECHNICAL DIRECTOR and SOUND DESIGNER!👾
Stuck In Orbit – Footlights
21:30, Fri 6th – Sat 7th November 2026 at Corpus PlayroomMichaelmas Week 4
This silly comedy show is looking for a Technical Director and Sound Designer !
Contact jd2062@cam.ac.uk before 4th Jul 2026 01:00 for more details.
PROD & TECH for THE GUY WHO DIDN'T LIKE MUSICALS
The Guy Who Didn't Like Musicals
21:00, Thu 15th – Sat 17th October 2026 at ADC TheatreMichaelmas Week 1
All prod and tech roles are now open on a rolling basis for applications- MD , AMD, AD, Associate Director , Assistant Producer , Publicity Lead, Publicity Officer, Publicity Designer , Photographer , Welfare Lead, Welfare Officer, Accent Coach, Intimacy Coordinator, TD , Set Designer , SM , DSM , LD , CLX , Sound Designer , Sound Engineer, Prop Master, Costume Designer , Hair & Makeup. Head to the application pack and then fill out the application form.
Contact mjs329@cam.ac.uk before 1st Aug 2026 00:00 for more details.

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