- May 2017
‘I have holes in my shoes
I have holes now even in my feet
there are holes everywhere
even in this story.’
Layal is the only artist who can paint nudes. The Girl enjoys listening to N’Sync and can distinguish between different weapons by hearing them fired. Umm Ghada mourns for her family, who were killed in the 1991 Amiriyah shelter bombing by the United States.
Inspired by a trip to Baghdad in 2003, this play is a beautiful exploration of the lives of nine Iraqi women that span the decades between the first and second Gulf Wars and occupation. Raffo brings hundreds of interviews to life in this moving, raw and intimate examination of the effects of war on women living both in Iraq and elsewhere.
The Tab: ★★★★1/2
https://thetab.com/uk/cambridge/2017/05/18/review-nine-parts-desire-94458
Varsity: ★★★★★
https://www.varsity.co.uk/theatre/12997
- May 2017
Wow! The universe is mind-boggling!
If you like to hear about places, things and people, this is the show for you. Failed scientist Isa Bonachera will take you in a journey through the universe. You are guaranteed to learn nothing.
Previous praise:
"the best stand-up I have ever seen live" Will Maclean, The Cambridge Student
“had everyone beside themselves” Perdi Higgs, Varsity
“a continuous mixture of laughter and abdominal pain ensued” Eddie Spence, The Tab
“fresh, spontaneous humour” Hettie Blohm, The Tab
“will surely go far” Carl Wikeley, The Cambridge Student
- May 2017
Dowie’s best known ‘stand-up play’ is a fierce and subversive monologue about gender expectations and stereotypes, spoken by someone who doesn’t want to be a ‘girl’, doesn’t want to wear skirts, but just wants to be John Lennon. What begins as frustration at the impracticality of the compulsory school skirt – only good for showing off legs and absolutely no good for playing football – becomes an articulate and passionate invective against obligatory femininity. Why is John Lennon Wearing A Skirt? is a powerful condemnation of society’s aggressive reinforcement of gender constructs, and the difficulties of finding a way to be who you want to be.
With reviews as ‘sad, sane, serious and very funny’ (The Guardian) and ‘truly unforgettable and equally unmissable’ (Broadwaybaby Edinburgh Fringe), this show will be a must see this term.
- May 2017
“What can you say about a 25-year old girl who died?”
Oliver Barrett IV is a rich hockey jock. Jennifer Cavilleri is a poor piano prodigy. And yet somehow, despite all of the odds, they fall in love.
A beautifully intimate chamber musical by Stephen Clark and the Emmy and BAFTA award-winning composer Howard Goodall, Love Story follows the pair as they explore the challenges they must face and the sacrifices they must make for the sake of one another. Above all, the story reflects upon the celebration of life and love in the face of adversity.
Newly adapted from Erich Segal’s best-selling novel and one of the best-loved romantic films of all time, and subsequently nominated for 3 Olivier awards, Love Story is a poignant but enchanting tale of romance, loyalty, and hope.
- May 2017
Bad Habits is the debut hour of stand-up from comedy scene regular and ex- catholic Emma Plowright. In a painfully honest hour, Emma is taking to the stage with her nondescript midland accent and signature dry humour to talk about her adventures at a catholic comprehensive school, her neurochemical imbalances, what dogs she quite likes, and never quite fitting in. What could be funnier, right?
Hailed by The Tab as being ‘Wild, wacky and wonderful’ on one occasion, and (for the first time ever) as ‘a little too quiet’ on another, Emma has certainly been reviewed. She has appeared in more things than you can shake a stick at (abundant smokers, her family home, a bog in the Peak District) and will be appearing once more in The Corpus Playroom for one hour only.
- May 2017
Dillon has been suffering from depression. Fortunately, he’s found a coping mechanism, and you can come see it for just £7! He’ll be joined by his friend Oliver, who’s committed, supportive and has no choice but to help.
Watch as they stare into the Nietzschean abyss. Marvel as they try to solve a complex mental health condition with raisins. Thrill as you try to work out which insults were scripted and which lifted from our day-to-day conversations.
Fix My Brain is a new comedy show about friendship, depression and that’s it.
Dillon and Oliver are two former Presidents of the Cambridge Footlights. Dillon is a 2017 Chortle Student Comedy Award Finalist and member of Soho Theatre's Young Company of Comedians. Oliver has a YouTube channel with over 2'000 subscribers.
‘Daring and ingenious… an astonishingly honest portrayal that will keep you in stitches from beginning to end’ – ★★★★★ Varsity
- May 2017
Grit your teeth and squint your eyes as you stare out to sea. Feel the briny fug of absurd character comedy roll in from the ocean. Marvel at the characters that roam the wharves, prowl the pubs and slither beneath the jetties.
Footlights regulars Christian, Eve, James and Sarah invite you to a world of dock hands and drug smugglers, of salt spray and foaming ales. From the people who brought you Footlights Present: Bread, Milk Teeth, Joseph K and Vox Pop comes an hour of bracing absurdist comedy.
- May 2017
The night after their grandfather's funeral, three cousins engage in a verbal (and sometimes physical) battle. In one corner is Daphna Feygenbam, a "Real Jew" who is volatile, self-assure and unbending. In the other is her equally stubborn cousin Liam, a secular and entitled young man, who has his shiska girlfriend, Melody, in tow. Stuck in the middle is Liam's brother, Jonah, who tries to stay out of the fray. When Liam stakes claim to their grandfather's Chai necklace, a vicious and hilarious brawl over family, faith and legacy ensues.
- May 2017
Some of Cambridge's brightest up-and-coming solo comedians try some new stuff in one of the city’s most intimate and unusually-shaped venues. And all tickets go to charity!
- April 2017
Hello m'lovelies, Ash here.
Why Chameleon? Well, chameleons adapt, don't they? They take a surface or environment and they change their colours to blend in and assimilate themselves into it. I guess octopi do it too... but I also have exema and am therefore a bit scaly and lizard-like, so Chameleon seemed more appropriate...
Nevertheless, I’ve become increasingly aware that this adaptation is something I and (I think) many other people do in social situations in order to suit themselves to different environments. So I thought it'd be fun to write a show about self-representation and why being a chameleon needn't necessarily be a bad thing...
Join me for an hour of self-indulgent, feel-good stand-up, original comic songs and character comedy. Think smoker meets song cycle. Think character comedy meets cabaret. Think! Don't drink and drive.
- April 2017
What happens to the women that men can’t write? In this showcase of Strong Female Characters, a group of Cambridge’s finest lady and non-binary comics will endeavour to find out. Fresh from every screen and stage ever, the cast-offs, the sidekicks, the non-specific love interests and the straight-up plot-devices come together to stick it to The Man. Specifically, one man in particular. Their writer.
With multiple women actually allowed on stage at once, who knows what might happen? We wager it will be something very, very funny.
This is Good Girls, Written Bad(ly).
- April 2017
"I have called you together Gentlemen, to impart a very unpleasant piece of news". This little Russian town is in utter disrepair. It is covered in cobwebs, stained with blood and loud howls are heard at the full moon. The Mayor calls an emergency meeting in the dark, dusty town hall to tell his townspeople of their impending doom: an inspector is coming. They tremble in fear at the news and desperately try to please the man whom they believe to be the inspector, showering him with praise and affection. He is, in fact, nobody of the kind.
Gogol’s 19th-century play “The Government Inspector” is indisputably Russia’s greatest comedy. Translated into modern-day English and transposed into a gothic style, it is a rip-roaring comedy of mistaken identity, corruption, cobwebs and horror.
- April 2017
Bigamous is a brand-spanking-new character comedy.
A big energy, silly-voiced extravaganza frolicking through the most extreme pits of humanity. Come along for an hour of popping characters, cracking sketches and goddam depravity.
As seen in the Cambridge Footlights International Tour Show 2015, the CUADC/Footlights Pantomime 2015: Robin Hood and a part of Soho Theatre’s Young Company, Eleanor Colville makes her solo debut in this surreal and limber show that asks: just how many people is too many people?
***** ‘A combination of delicious writing and perfect comic timing’ (Varsity.co.uk).
***** ‘The jokes came thick and fast’ (BroadwayBaby.co.uk).
- April 2017
Two artistes share a dressing room. One, an old hand; the other, a newcomer to the profession. Will the old-timer give the benefit of his experience, or jeopardise the fledgling’s first flight into the unknown? A bitter-sweet comedy of trust and jealousy; frocks and frills.
- April 2017
- April 2017
Keep holding my hand is an original play devised by people with and without mental health challenges who take part in Acting Now’s project Making Changes. Using theatre to reflect, explore and analyse the issues that affect them, Acting Now´s Artistic Director Marina Pallares-Elias has worked with the group to develop a collaborative script inspired by their own stories. The play explores how positive experiences can be derived even from negative episodes, how lifelong friendship can counter hopelessness, and how it is essential that we join together to enable the voices of the vulnerable to be heard. Acting Now is a Cambridge-based theatre company whose vision is to transform lives through theatre.
- April 2017
Cambridge Regional College’s final year acting students present an evening of short plays! The three witches have gathered on the heath to await Macbeth, only he’s late... What are these tardy thanes like? Two months have passed since Katherine received threatening letters in the post, but both her and her husband are horrified to discover a letter promising death this very night has been posted to their holiday cottage. Looking for love? At this speed dating event couples enjoy each other’s company over a plastic glass of warm champagne. What more could you want of an evening? The students will also present a ten minute telling of the story of Macbeth through expressive movement.
- March–April 2017
- March 2017
A play about an interracial (black/white) queer couple who are putting on a play about their relationship in order to provide social commentary on contemporary race and gender politics. They trust each other, having been together three years. But the process of devising the play reveals just how much of a defining role race plays in their relationship and individual experiences of the world, throwing up unresolved issues and - challenging them as writers and actors, as well as the audience to think critically about the intersection between race, gender and sexuality. A love story that asks questions and who and why we love and the things that separate us from one another.
- March 2017
In the centennial year of the 1917 Battle of Passchendaele the Corpus Playroom presents John Wilson’s classic, ‘Hamp’. Amidst the horror of World War I, Private Hamp, a nonentity whose undistinguished simplicity borders on simple-mindedness, has been plucked from the grime of a Lancashire mill town and flung down in the bloodsoaked mud of Passchendaele. But when one day Hamp scrambles out of a shell hole and walks away from battle, the Army finds itself compelled to notice his existence. He is court-martialled for desertion in the face of the enemy. Is everyone too preoccupied with the war to trouble about his 'insignificant crime’, as Hamp reassures himself, or will he pay the ultimate price?
This poignant play sheds light on what for many years has been a taboo subject in discussions of the First World War: the treatment of deserters. Despite first being performed in 1964, 'Hamp' still raises questions over the meaning of heroism & cowardice in the hell of war.
- March 2017
Batrachophone, noun: The voice of a frog.
In the space of an evening, The Batrachophone will introduce you to his bizarre collection of friends. He has invited them to sing, smile and soliloquise. They're all just as weird as him – apart from Balthasar the snail, he's the normal one. Just remember:
Frogs don't go 'ribbit', they go 'brekekekex koax coax'.
This is a brand new and first one-man show by Aurélien Guéroult. A.G. has appeared in footlights smokers and other things. Previous 'praise' includes:
'Serial offender of pantomime' – The Tab
'Emphasis is achieved through volume, with hard, dentalized sounds' – EdFringe audience review
- March 2017
A 20-year-old, Pakistani inner-city girl Husna arrives at K.K. Harouni’s residence in Lahore. K.K.Harouni hails from an established land-owning family in Pakistan. He is elderly and powerful. The purpose of Husna’s stay is to learn typing, nevertheless right after her arrival, Husna and Harouni begin a sexual relationship. As the plot unfolds, Husna, originally a distant poorer relative of Harouni, learns to locate her social class among layers of servants and Harouni’s relatives. The plot reveals the corruption and tension deeply set in Pakistani land-owning society through Husna’s lens and the result of this injustice primarily for women in lower classes. At the end, Harouni dies leaving Husna humiliated and confused. The play is a tragi-comedy and is set in modern times.
The play is an adaptation of a short story by an American-Pakistani writer, Daniyal Mueenuddin. Daniyal’s collection was named “In Other Rooms, other Wonders” after this story. His collection was selected as a finalist for the Pulitzer Prize in 2009.
- March 2017
“You stepped over the line.”
Shy, awkward, gentle Adam meets experienced, analytical Evelyn. Together they embark on an intense relationship which sees Adam go to extraordinary lengths to improve his appearance and character. Under Evelyn’s subtle and insistent coaching, we witness the gradual reconstruction of Adam’s fundamental moral character. At every step, we wonder how far Adam will go to prove his love for Evelyn, how far he is willing to stray from himself and his friends to mould himself into an ideal shape. Meanwhile, his best friends’ engagement crumbles. ‘The Shape of Things’ forces us to ask ourselves; how much of yourself would you change for love? How far would you go for your art? And is there a line between the two that cannot be crossed? Love. Art. Manipulation. ‘The Shape of Things’ brings all three together and asks where the boundaries between them lie.
- March 2017
Half past five on a Friday evening, and a school’s electronic door-locking system shuts down for the weekend… with four teachers still in the staff room.
Claustrophobia sets in. Tea turns into alcohol. Ties, jackets and the ceremonies of the school day are shed, giving way to messy power plays, grievances and the desire to behave badly. But they are still haunted by the ultimate threat in their job that keeps their behaviour in check. And it isn’t the headmaster.
This brand new comic drama asks where the boundaries of professionalism lie, and how much pressure it takes to reveal the petty, paranoid, impulsive teenagers inside even the most polished individuals.
‘I have practically run the English department for the last three years, and you have bought me a bottle of wine with a screw cap.’
- February–March 2017
“Most people's lives—what are they but trails of debris, each day more debris, more debris, long, long trails of debris with nothing to clean it all up but, finally, death.” Mrs. Venable’s son, Sebastian, died last summer while on holiday with his cousin Catherine. Who was he really, and what actually happened? Mrs. Venable’s illusory idea of Sebastian must be shattered in what has come to be appreciated as one of Tennessee Williams’s most poetic pieces. Sexuality, shame, family: come and be totally immersed in the stifling atmosphere of one of Williams’ best one-act plays.
- February–March 2017
Everything is perfectly prepared, even at disastrous dinner parties. When a ‘news babe’, her biologist husband and a Bohemian, ex-lesbian artist are all invited to dinner, no one is expecting a boring evening. But maybe the evening that Paige and Lars find themselves hosting is a little more exciting then they signed up for, with the unexpected arrival of a burglar, more than a few confessions, and some truly unpalatable dishes. Black Mirror meets Come Dine With Me in a hilarious take on our pretensions and secrets that combines death, less than fine dining, and Welsh people.
- February 2017
Declan Amphlett is halfway through his year abroad. He's trying to work out how to finish it.
Join him for a one-night stand in the Corpus Playroom. And then come and see his show afterwards.
From one of the people who brought you the CUADC/Footlights Pantomime 2016: Rumpelstiltskin, Footlights Presents: Xylophone, Switch: A Sketch Show, Babushka: A Sketch Show and Verbal Remedies: A Stand-up Show, comes a brand new hour of comedy that the Guardian has described as “please stop contacting us, we don’t know who you are”.
Previous praise:
"Superbly written and ingeniously performed” ★★★★★ Cambridge Theatre Review
"Boundless energy, slick performances, and endless variety" - ★★★★★ The Tab
“an uproariously funny and curiously affecting performance” ★★★★★ Varsity
“undeniably funny” ★★★★ Three Weeks Edinburgh
- February 2017
- February 2017
A Taste of Honey is set in Salford in the 1950s. It tells the story of Jo, a seventeen-year-old working class girl, and her mother, Helen, who is presented as flighty and uncaring. Helen leaves Jo alone in their new flat after she moves in with Peter, a rich, younger lover. Jo begins a romantic relationship with Jimmy, a black sailor. He proposes to Jo but ends up going to sea, leaving Jo pregnant and alone. She finds lodgings with a gay man, Geoffrey, who takes on the role of surrogate father. This play pushes so many boundaries way before its time making it exciting and entirely appropriate for today's audience, particularly in our current political climate. Wonderful characters, wonderful writing - this play is a real treat.
- February 2017
Join the Cambridge Impronauts for an hour of first dates, faux passes and happy ever afters. Watch a brand new improvised romcom, based on your suggestions, unfold before your eyes in the corpus playroom. All we want from you is a reason our protagonist is unlucky in love, their place of work and a title for the show and we will do the rest, warming the cockles of your heart and making you belly laugh in the process.
- February 2017
“Maybe there’s someone out there who won’t let you die. Maybe he has something planned for you…”
Two wandering con-artists arrive in an unfamiliar town, their eyes peeled for just one prize idiot.
Worming their way into the mayor’s confidence, this histrionic narcissist and his long-suffering companion have soon bamboozled the townsfolk into submission. Events rapidly escalate as the charlatans settle upon the ultimate scam: tricking a young citizen into believing she’s a fictional character.
A Fool to his Folly is a play exploring immortality, power and the dangers of allowing oneself to be consumed by fiction.
- February 2017
- February 2017
When Elliott graduated, the dream was to make the world a better place. After a year as an unpaid intern at Amnesia UK, the only dream is actually being able to afford lunch. Now the only thing standing between Elliott and an actual paid job is one fundraising concert. How hard can it be?
Very, actually. Lies and misunderstandings breed more lies and misunderstandings. Soon Elliott is stuck in a backstage farce that’s only getting more ridiculous and the fact that all the acts think they’re getting paid isn’t even the biggest problem...
- February 2017
https://vimeo.com/202564794
'I haven’t seen you in years, I don’t even know who you are any more but, fuck, yes I’m here for you, Ray, and I put that in writing we go through a whole procedure and you don’t… appear to give a shit.'
Ray has been discharged from mental hospital. The play charts his attempt to rejoin the wider world, under the care of his sister, who, busy running a restaurant and short on sympathy, can’t stop her brother from drifting into old habits, especially not when his best friend is a drunken old man prone to apocalyptic rages. Relationships grow, patience shortens and long-silenced voices start talking again as Ray and his new life hurtle towards breaking point.
“The most thrilling playwriting debut in years ... The writing is razor-sharp, sensitive, quietly eloquent, full of the touchingly drab poetry of lost lives.” - Sunday Times
- February 2017
Eggbox Comedy and CUMTS Present HOT GAY TIME MACHINE
Do you like COMEDY? Do you like MUSICALS? Do you THE GAYS? If you answered yes to most of those questions, you will love Hot Gay Time Machine.
Toby Marlow. Zak Ghazi-Torbati. Gays. Music. Dance. Comedy. Talent. Lights. Camera. Action.
This will be an original EXTRAVAGANZA of musical comedy, unlike anything Cambridge has ever seen #before.
Let us take you through the history (or 'gaystory' LOL) of the world through MUSIC, COMEDY and CAMP.
Expect the unexpected.
Expect the expected.
All expectations are welcome.
Join Zak and Toby, as they take you out on an evening of outrageous songs, hilarious comedy, and mind-blowing costume changes that will BLOW your MINDS. So what are you waiting for? Gay marriage? WELL WE GOT THAT ALREADY WAHOO. SO COME PARTY WITH THE GAYS.
- January–February 2017
“You can’t explain me. Spagger. Victim. Attacker. Addict. Lover. Priest. I am one of those sorts who is impossible to explain.”
Stuart is an alcoholic, drug addicted, violence-loving, “chaotic homeless”. Alexander is a middle-class, Cambridge graduate and volunteer at the local homeless shelter who decides to write Stuart’s biography. As their friendship blossoms, he peels back the layers of a troubled past and discovers just as much about his own along the way.
Working in partnership with local homelessness charities, this is a production which seeks to challenge your pre-conceptions and transform the Corpus Playroom into a site of social activism.
Hilariously funny, yet shockingly tragic. This is their story, told backwards.
