- November–December 2021
The eponymous Eurydice is tricked by a Nasty Interesting Man and separated from her lover Orpheus as she is sent down to the underworld. As she reunites with her dead father in the underworld, Orpheus repeatedly attempts to communicate with and rescue her, culminating in the familiar and inevitable tragic ending. The play follows themes of loss, forgetting, separation and memory, all in a surreal underworld which drips and creaks as if it is a pipe about to burst, bringing people together and pushing them apart.
- November 2021
Who is Anne? Is she the danger or the victim? Does she even exist at all? Attempts on Her Life is a pertinent exploration of identity, culture and gender, brought to life through a series of unique vignettes, each spotlighting a different facet of society. While the scenes are seemingly unconnected at first, other than by the elusive recurring protagonist Anne - sometimes a terrorist, sometimes a pornstar, sometimes even a car - they are masterfully woven together as the play progresses to create the sense of a cohesive whole, despite the absence of any singular narrative weaving the scenes together. 17 interlinked scenes attempt to define and label Anne, all the while questioning whether it is really necessary to pinpoint Anne at all. Anne is an utter enigma, at once art and artist. ‘And the frightening thing is she could be any one of us.’
- November 2021
Four sisters - Joy, Storm, Sage and Maya Pelican – have returned to their childhood home to celebrate what would have been their mum’s birthday. They’ve brought their partners, a ‘shit-ton of shitty prosecco’ and a whole lot of emotional baggage with them. Also, literal baggage (they’re staying the night).
The Last of the Pelican Daughters is a comedy about family, loss, and what and how we inherit.
- November 2021
Somewhere in the freezing wastes of the tundra, two weary researchers have been left at the edge of the world for... how long now? A year? A decade? A lifetime?
As cabin fever begins to set in and the walls of their reality start to crumble, Mov and Ramsey are forced to confront the nature of their stay at the Arctic Research Centre, and whether or not it, or they, have meant anything at all.
- November 2021
Still reeling from the loss of his wife, Grandad (David) has become obsessed with a documentary series whose narrator – a rather famous one – shares his name. Caught between persisting grief and the daily dramas of family life, Grandad learns to navigate his new reality with the help of his grandchildren, his daughter, and some Emperor penguins.
Funded by the Lady Margaret Players.
- November 2021
- November 2021
Two short farces by Chekhov, ostensibly exploring themes of love and loss, but with a heavy dose of materialist conflict - a commentary as applicable to today as to Chekhov's Russia.
- November 2021
It’s 1932, prohibition has swept New York, and Tony Morino owns a small underground speakeasy in the Bronx, selling bathtub gin so steeped in ethanol it could easily kill you. Business is terrible, so along with three friends, he hatches a plan – take out life insurance on the drunken, good-for-nothing new employee at his bar, Michael Malloy. The crew successfully take out $68,000 of insurance on Malloy’s life, and the three get to work on murdering their target, with freedom from financial worry surely around the corner. However, it seems some people are more difficult to kill than others…
The Man Who Wouldn’t Be Murdered is a new comedy musical full of murder, jazz and drink, based on the true story of Michael Malloy and his infamous life, and death.
(CN: death, violence/murder, alcoholism)
This exciting production is an original student-written show! With a cast and crew entirely made up of freshers/ those new to theatre, it's the perfect introduction to Musical Theatre at Cambridge, and of course, the magic of CUMTS.
- November 2021
The Fletcher Players Present: Smorgasbord! An evening of new writing from the brightest, freshest writers in all of Cambridge!
- November 2021
The Nature of a Curve is a brand new play exploring the fractious and often ignored world of Welsh politics.
It’s election night in Wales, and Vicky Evans MS is seeking re-election to the Senedd. She is gunning for promotion in the government and will do anything to make sure she consolidates power.
Accompanied by her team of advisors, they progress through the evening, grappling with all the excitement and tension of the count. However, when her aide, Carys, discovers a shocking truth, all of Vicky’s ambitions are threatened to be derailed…
- November 2021
In the late 1960s, towards the end of the Biafran War in Nigeria, Agnes, a novitiate nun, experiences a complete nervous breakdown. Her path crosses with Taiwo, a photojournalist reporting on the brutality of the conflict, who quickly forms an attachment to her. After Agnes is largely shut away from human contact, he becomes her confidant, uncovering the malevolent reasons behind her mental deterioration, and the secrets of the convent she belongs to.
This is a play on turmoil, both internal and external, and the difficult choices people are forced to make for survival.
- October 2021
Stuck in a house, surrounded by death, strangers fight to hold off the undead and hold on to sanity. Tensions rise as society crumbles and the argument turns from survival to power.
Adapted from Romero's immortal Night of the Living Dead (1968), this immersive play re-examines what makes us afraid, how society falls apart and the power of solidarity in the face of the inevitable.
- October 2021
How do you take a photo of a ghost? Rose must find out to take revenge on her sister, but what lengths will she go to? Join four friends as they tell you a story spanning seven centuries and four generations, from the stealing of a child, to a tragedy at a subway station. Ghost Quartet in an intoxicating song-cycle with live music and strange tales of love, revenge, and spirits - alcoholic or otherwise…
- October 2021
- October 2021
Oi! You! Think you know your history? Well you’ve got it all wrong, buster! Let us show you how things REALLY were - Churchill? Abe Lincoln? Guy Fawkes? BORING! Who you really want to know about is Janice, the village witch of Bognor Regis. Or Petunia, the true author of Bible? Or perhaps if Queen Liz the first was really short for Lizard? For the answers to all this and more, come to Horrible Herstories, where the women of history set the record straight!
- October 2021
Am I the devil? ...You don’t need be the devil, I been hurt by men.
Set against the backdrop of a 17th-century witch hunt, Vinegar Tom depicts the lives of women on the fringes of society. Alice sleeps with a mysterious man. Joan throws curses at her enemies with her old tomcat by her side. Susan is burdened with an unwanted pregnancy. As these women’s lives intertwine, they find themselves subject to all the horrors of hysteria, superstition, and patriarchy as they are pressured to confess - are they a witch?
- October 2021
- October 2021
Gerald Nest, kleptomaniac and erstwhile owner of the inimitable Historical Hotel. You haven’t heard of it? I don’t blame you. Nobody has.
Today it lies in wrack and ruin, a burning woman stalks its halls, and an endless war is waging over the mountains of memorabilia. As clearance officer Martha crosses the threshold, extinct birds whirling overhead, she becomes the first guest in over thirty years.
But in Gerald's shifting kingdom, walls have ears, and as Martha tries desperately to trim the family tree, she learns what happens when the roots fight back…
From the writer of The Man in the Air Balloon and The Backwards People comes Bricks and Mortality, a brand-new, surrealist play about loss, legacy, impossible decisions, and a world teetering on the brink of destruction.
- October 2021
'Horse Girls' is a dark, satirical comedy which tells the story of the Lady Jean Ladies, a group of pre-teen girls who devote their lives to their horses. Or, as Ashleigh would say, her horses – most of the girls borrow their horses from her stables, remember? The girls all dream of becoming Olympic-level riders in six years’ time – once they’re 18 – but when the very thing they love the most is threatened to be taken away, things quickly turn sour between the Lady Jean Ladies. After all, nothing can come between a girl and her horses…
- October 2021
- October 2021
Two jobs, three people.
Its survival of the fittest, a dog-eat-dog world. If anything goes in proving your worth, then are the successful talented or cruel?
Mick Barlett’s shockingly unpleasant show reminds you that it’s not all about merit. There is a sadistic streak in many more than one may expect.
- September 2021
TUNA is about the unsexy side of growing up around guns, ridiculous ideas of social mobility, and female criminality. Spurred on by the promise of higher education, one girl monologues her way through rehabilitation groups for young offenders and tries not to become a product of her upbringing. Which should be easy, because you get really bored of shotguns if you played with them as a kid. Darkly comic, this is a fresh, dynamic, hilarious one-woman play which blazes with energy.
- September 2021
A bridge between reality and fiction, Edith Alibec’s multi-award-winning adaptation of Aglaja Veteranyi’s autobiographical book follows a family of circus artists who flee the Communist regime in Romania in the hope of establishing a better life in the West. Among the caravans and the circus tents a family are caught between two worlds: the colorful, transfiguring high-top where the mother performs her death-defying stunts and the harsher reality of a nomadic life, where home is only to be found in your mother’s cooking. Told from the perspective of the youngest child, this lyrical darkly comic tale is the story of a family always on the road and always the foreigners. With the ability to be staged in three different languages (English, German and Romanian), this versatile production has previously been performed in Bucharest, Zurich, New York, Stockholm and Germany. It will be performed in English at Camden People’s Theatre. Winner of the 2018 Bacău Fest Trophy, Actors for Actor Trophy and the Ştefan Iordache Onorific Prize in Romania.
- July 2021
In 1875, a former sailor set out from Dover pier on a quest no-one thought possible. Twenty-two hours later, he had swum his way to fame. This one man show, written and performed by Chris Hudson, brings to the stage the extraordinary true-life story of Captain Matthew Webb, the first person to swim the English Channel. Follow his rivalries with fellow swimmers, the glorious triumph of his pioneering Channel swim, his increasingly futile attempts to capitalise on the resulting fame, and finally his tragic demise in a swimming stunt gone wrong. An inspiring history of athletic endeavour, and an early cautionary tale of the perils of fame.
- June 2021
Charlene is having a tea party, and all of Cambridge is invited!
Has a year of social distancing left you low? Struggling to make it through a month of online exams? Or maybe you missed out on love in lockdown...
Whatever your worries, don’t leave them at the door - bring them inside!
Dragtime!’s Charlene Collins is the Dragony Aunt of your dreams, and she’s ready to set the world to rights over a good ol’ cuppa. For one special night, step into the comfort of her private parlour, where secrets are shared and nothing is off limits.
This intimate and interactive drag show is your chance to get all the answers that you need. There’ll be music, mayhem, and madness - but rest assured: Charlene is leaving no stone unturned to find the tastiest tea Cambridge has to offer.
- June 2021
Eddie and Niall meet by chance on an unremarkable street in Manchester. Eddie’s trying to break into the film industry, Niall’s at uni. They strike up the unlikeliest of friendships, and before long they’re living together. They’re happy, until life takes an unexpected turn for both of them, and their differences threaten to tear their friendship apart. This is a play about connection, isolation, perspective and life drawing gone wrong.
- June 2021
Dan Bishop is currently writing in the third person to inform you that this comedy show will last roughly an hour and only contain one joke. If you like jokes, that’s great as he’s got one for you and if you don’t like jokes, well that’s fine too, you’ve only got to sit through one and then we can all go home and face-time our loved ones. Oh, and it’s all in the third person. Sort of.
Anyway, Dan’s a Cambridge Footlight if that sweetens the deal, if not, I’m afraid not many established news outlets have ever said much about our boy Dan. Varsity once called him ‘brilliant’? A butcher he once met outside a nightclub once told him to ‘call him’? Is that helpful? Also - the show will be better than this blurb. Dan believes strongly that blurbs are brilliant opportunities to set the bar low.
- June 2021
Eat the Rich (but maybe not my mates)
Jade Franks’ debut stand up hour will be honest, high energy and brutally hypocritical.
Previous work of Jade's has been described as:
'The best piece of student theatre I have ever been fortunate enough to see...high energy, humorous, cheeky and straightforward' (Varsity)
'Jade Franks industrious in their vigour...always engrossing the audience.' (The Cambridge Student)
- June 2021
“Why make me “human”, if all I’m meant to do is work for people?”
“Well, that’s all a lot of humans do.”
“I don’t think it’s what humans are meant to do.”
Beatrice has just managed something amazing: she’s designed Andy, an Artificial Intelligence created to work in customer service. However, she thought the best way to make them realistic was to release them onto the internet, and now Beatrice has got a problem: Andy thinks they’re human, and all they want is to go to San Francisco.
- June 2021
This is a retelling of the childhood classic Peter Pan. And it is nothing like the original.
20-years-old, jobless, fatherless, partnerless, almost friendless and definitely on the verge of some kind of meltdown, we follow a woman, who acts like a child that wants to be an adult, and who has tried and promptly failed to run away from reality, figuring out her identity, her family, and whether she can ever, actually, just manage, for a minute, to stop…and breathe.
TW: reference to eating disorders
- June 2021
- May 2021
CW: Sexual Assault
The Passion is a new piece of student writing about sexual assault and relationships. Set in a student flat in Cambridge, the play follows the reconciliation of Dan and Tony, a former university couple, over a single afternoon during Freshers Week. However, when it is revealed that Dan’s motives concern an incident which occurred during their relationship, the afternoon soon becomes a heated discussion about memories, self-deception, and the realities of assault. The Passion is a story about the things that go unsaid in a relationship, and the implications we make of other people. It features a cast of two, and is comprised of three acts.
- May 2021
CN: sexual assault, addiction
With lush and sensual language, Goblin Market celebrates and explores the complexity of sexuality and love.
Two Sisters, Laura and Lizzie, struggle against the oppression and control of nineteenth century England in an otherworldly and yet familiar landscape.
Laura is tempted to eat the goblin's fruit and subsequently becomes ill and tortured by addiction. Lizzie lets the goblins abuse her so that she can rejuvenate her sister.
Goblin Market affirms these sisters’ bravery, solidarity and strength.
- May 2021
CN: sexual assault, rape, disassociation
Permanent Marker is an original student-written one-person play. It is an exploration of a woman’s fragmented response to rape and the imperfection of memory. As the piece develops the sense of a solid story/timeline disintegrates using the experience of disassociation. Her memory jumps back and forth as her sense of self disconnects, and she becomes overwhelmed by the potential beauty of her trauma.
- November 2020
'A pool, she had a pool. Of all of us the most – at least in the eyes of this so-called world – the most successful of us.'
Mark Ravenhill's 'pool (no water)' is a dark and twisted tale of the jealousy that drives a group of artists navigating adulthood and all its accessories: money, substance abuse, grief. When the most successful amongst them suffers a terrible accident, the group think not of her wellbeing, instead seeing a chance to manipulate her agony to their own advantage. This experimental play makes use of a fragmented voice to unfold the details of their shared act of deception.
[CANCELLED DUE TO COVID-19]
- May 2020
